All VIGNON, Claude Oil Paintings
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VIGNON, Claude Croesus Receiving Tribute from a Lydian Peasant et oil painting


Croesus Receiving Tribute from a Lydian Peasant et
Painting ID::  9645 		Artist: VIGNON, Claude
Painting: Croesus Receiving Tribute from a Lydian Peasant et
Introduction: 1629 Oil on canvas, 105 x 149 cm Mus??e des Beaux-Arts, Tours
   
   
     

 

 

 
 

 

 

 
VIGNON, Claude The Young Singer et oil painting


The Young Singer et
Painting ID::  9646 		Artist: VIGNON, Claude
Painting: The Young Singer et
Introduction: 1622-23 Oil on canvas, 95 x 90 cm Mus??e du Louvre, Paris
   
   
     

 

 

 
 

 

 

 
VIGNON, Claude rThe Young Singer (mk05) oil painting


rThe Young Singer (mk05)
Painting ID::  20368 		Artist: VIGNON, Claude
Painting: rThe Young Singer (mk05)
Introduction: 37 1/2 x 35 1/2''(95 x 90 cm).Given in 1966 R.F
   
   
     

 

 

 
 

 

 

 
VIGNON, Claude Esther before Ahasuerus oil painting


Esther before Ahasuerus
Painting ID::  29653 		Artist: VIGNON, Claude
Painting: Esther before Ahasuerus
Introduction: 1624 Oil on canvas, 80 x 119 cm
   
   
     

 

 

 
 

 

 

 
VIGNON, Claude The Hills at Triel oil painting


The Hills at Triel
Painting ID::  54052 		Artist: VIGNON, Claude
Painting: The Hills at Triel
Introduction: mk235 c.1881 Oil on canvas 46.4x55.4cm
   
   
     

 

 

 
 

 

 

 
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     Check All VIGNON, Claude's Paintings Here!
     French Baroque Era Painter, 1593-1670 French painter, printmaker and illustrator. Born into a prosperous family in Tours, he received his early training in Paris, probably in Jacob Bunel's studio. In 1609-10 he travelled to Rome; although his presence there is recorded only in 1618-20, he was probably based there throughout that decade, becoming a member of the community of young French artists that included Simon Vouet and Valentin de Boullogne. They were all predominantly influenced by the art of Caravaggio and of his most direct follower Bartolomeo Manfredi. Vignon's severe half-length figures (St Paul, Turin, Gal. Sabauda; Four Church Fathers, on loan to Cambridge, Fitzwilliam), executed possibly even earlier than 1615, are in a Caravaggesque style, as are his paintings of singers, musicians and drinkers (e.g. the Young Singer, Paris, Louvre), although the latter group owes more to the style of contemporary genre painting. However, Vignon was already showing an interest in new artistic experiments, the origins of which were northern, Venetian and Mannerist. His sensitivity to the splendid colouring of Venice and to the art of Jacques Bellange, Georges Lallemand and Jacques Callot is manifest in his Martyrdom of St Matthew (1617; Arras, Mus. B.-A.), a work with striking references to Caravaggio's painting of the same subject (Rome, S Luigi dei Francesi), and still more so in his Adoration of the Magi (1619; Dayton, OH, A. Inst.), which also shows clear links with the art of several precursors of Rembrandt, including Adam Elsheimer, Pieter Lastman, Jakob Pynas and particularly Leonard Bramer. . Related Artists to VIGNON, Claude : | Constantin Meunier | Peale, James | William Strutt | thomas malton | GAROFALO |

 

 

 
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